IMEHA Ruling on Split Reins
USEF WS 102 Rule is written in a confusing manner.
It states that when using split reins Rider
may hold the end of split reins to keep them
from swinging and to adjust the position of
the reins provided it is held with at least
16 inches of rein between the hands. IMEHA
will not sanction this rule and finds that
the only acceptable manner is that excess
split rein bight should fall on the same
side as the rein hand. The excess bight
shall not be held in either hand for western
Extra Credit Should Be Given If...
If split reins are used, the rein should fall on the same side as the rein hand.
If a romal rein is used; romal should fall on the opposite side from the rein hand (romal is usually held in the rider's other hand.
Entry Number is shown on saddle blanket or on rider's back.
Points Should be Deducted If...
Model exhibits excessive speed for gait assigned.
Model is on the wrong lead.
Model appears to display a slowness in any gait or loss of forward momentum
resulting in an animated and/or artificial gait at the lope.
Model's head is carried too high.
Model's head carried too low tip of ear below the withers.
Model is overflexed or has a strained neck in head carriage so the
nose is carried behind the vertical.
Model displays Excessive nosing out.
Model displays an opening mouth excessively.
Rider uses spurs forward of the heartgirth.
Model appears sullen, dull, lethargic, emaciated, drawn or overly tired.
Model appears agitated has ears back, tail twirled, etc.
Model displays quick, choppy or pony strides.
Reins are draped to the point that light contact is not maintained.
Model is overly canted at the lope. *When the outside hind foot is further
to the inside of the arena than the inside front foot.
Arena Fencing Required:
Indoor or Outdoor Arena
Types of Fencing Allowed
Painted or Natural
Post and Rail
Post and Plank
Plyboard with Top Rail
Post with Drape Rope
Stock Tube Pipe Rail
Interior Arena Wall
No grass base
No rock base
Backboard or Natural Setting:
Western Bareback Equitation
A doll rider is required for this class. The rider is judged in this class
on their ability to ride and control a horse properly without the use of a stock saddle. The
rider shall be judged on their basic position: position of
hand or hands, leg position, seat position and back position. To further
explain, a rider should sit in a balanced relaxed manner, up
close to the horseís withers, keeping the back straight and shoulders
even. The rider should keep their arms in close to the body.
The rein hand or hands should be held loosely and should be positioned
directly above and in front of where the saddle horn would be
if the exhibitor were using a saddle. The position of the riderís
free hand is optional but should indicate a relaxed, not sloppy, balanced
attitude of the body and should be kept free of the horse except
that rider may hold a romal to keep it from swinging and to
adjust the position of the reins provided it is held at least 16 inches
from the reining hand. The legs maintain contact with the horse, giving
the necessary leg grip. The foot is turned out slightly and the
heels should be level or slightly lowered close to the horse just behind
the horseís elbows. The rider should be in balance with their horse at
all times and should be able to sit the trot bareback. No
posting at the trot will be permitted. An imaginary straight line
drawn from the riderís shoulders or hip should drop at the back
of the heel and a straight line from the knee should drop in front of
the toe. The rider set up in photo should readily convey their ability
of how to handle a horse properly. The rider is penalized if they use
two hands on the reins (except when riding a junior horse in an
acceptable snaffle bit or hackamore/bosal), changes hands on the
reins, or touches any part of the horse with their free hand.
While the horse is in motion the riderís hands shall be clear of
B. Photo may depict rail work consisting of any of the following gaits: walk, jog, lope, extended jog or lope, both directions in the arena. Or the horse may be shown performing the back-up or at a stop on the rail or in a line-up.
C. Photo may also depict any of the following individual works
normally performed as a pattern individually in the center of the arena:
2. Walk, jog, trot, lope, in a straight line, curve or circle, or any combination
of these gaits and patterns such as figure eights, etc.
4. Turn on the haunches or forehand.
5. Side pass.
6. Simple lead change.
7. Flying lead change.
8. Counter canter.
9. Extended gaits.
For additional helpful hints for Western Pleasure or other disciplines please check out Susan Hargrove's
site at: Oh Joy Farms
You Score Western Pleasure Gaits on the following basis:
(1) Poor walk - uneven pace and no cadence. Has no flow
and may appear intimidated or appear to march.
(2) Average walk - has a four-beat gait, level top-line and
(3) Good walk - has a flowing four-beat gait, level topline,
relaxed and is bright and attentive.
(1) Extremely poor jog - cannot perform a two-beat gait
and has no flow or balance in the motion.
(2) Very poor jog - hesitates in the motion. Does not keep
an even and balanced motion or a level top-line. May appear to shuffle.
(3) Poor jog - average motion but has negative characteristics
such as; walking with the hind legs, dragging the rear toes or
taking an uneven length of stride with the front and rear legs.
(4) Correct or average jog - has a two-beat gait, a level
top-line and a relaxed appearance.
(5) Good jog - has an average motion with positive characteristics
such as balance and self-carriage while taking the same
length of stride with the front and rear legs.
(6) Very good jog - is comfortable to ride while having a
consistent two-beat gait. The horse guides well, appears relaxed and
has a level top-line.
(7) Excellent jog - effortless and very efficient motion.
Swings the legs yet touches the ground softly. Confident, yet soft
with its motion while being balanced and under control. Moves flat
with the knee and hock and has some cushion in the pastern. Has a
bright and alert expression and exhibits more lift and self-carriage
than the ďvery good jogĒ.
Moderate Extended Jog:
(1) Poor extended jog - never lengthens the stride and
may appear rough to ride.
(2) Average extended jog - moves up in its pace and
appears smooth to ride.
(3) Good extended jog - has an obvious lengthening of
stride with a slight increase in pace while exerting less effort and
appears smooth to ride.
(1) Extremely poor lope - does not have a three-beat gait.
Has no flow, rhythm or balance. Uncomfortable to ride.
(2) Very poor lope - appears to have a three-beat lope but
has no lift or self-carriage. The horse shuffles, has no flow and bobs
his head, giving the appearance of exerting a great deal of effort to
perform the gait. Also may appear uncomfortable to ride.
(3) Poor lope - has an average motion but exhibits negative
characteristics like head bobbing, not completing the stride with the
front leg and leaving the outside hock well behind the horseís buttocks.
(4) Average lope - has a true three-beat gait with a level
top-line and very little head and neck motion. He is relatively
straight (not over-canted), guides well and has a relaxed appearance.
(5) Good lope - has an average motion but exhibits positive
characteristics in his performance like self-carriage, a steady topline,
relaxed appearance and is responsive to the riderís aids.
(6) Very good lope - has more lift and flow than the average
horse. He has a strong but smooth drive from behind. He may
bend his knee slightly yet still has a level top-line while exhibiting
self-carriage with a relaxed appearance. Appears comfortable to ride.
(7) Excellent lope - has a round back with an effortless
strong, deep stride with the rear legs and a flat swing with the front
legs. He keeps a level top-line, a relaxed yet alert and confident
appearance and is correct but soft. A special horse with a great degree
of lift and self-carriage.
(1) Poor back-up - is resistant and heavy in front. May
gap the mouth and throw his head or back crooked.
(2) Average back-up - backs straight and quietly with
light contact and without hesitation.
(3) Good back-up - displays balanced and smooth flowing
movements. Backs straight with self-carriage without gapping
the mouth with light contact and without hesitation.
Examples of the Four Breed Divisions:
Hold the Reins Correctly:
Western Bareback Equitation Stock Breed Entry
OJF Zip N Zack OF Breyer. Owned and shown by Susan Hargrove. Note rider is using a correct hand hold on split reins and horse as a correct head set on the bit for a stock breed.
Western Pleasure Arabian Breed Entry
Aer Kharysma shown as a chestnut tobiano Pintabian gelding, is a CM Peter Stone Arabian by Betsy Andrews. Owned and shown by Andrea Robbins.
Western Bareback Equitation TB/WB or Sporthorse Breed Entry
OJF Last Detail, shown as an Appaloosa Sporthorse, PS TB owned and shown by Susan Hargrove.
Western Pleasure Other Breed Entry
Damiana Darling, shown as a bay roan Welara mare, is a Damiana resin painted by Katie Langford. Owned and shown by Andrea Robbins.
Romal Reins by Susan Hargrove
Romal reins enter the hand by the "little" finger lay across the palm of the hand and exit the hand on top over the thumb. The hand holds the reins and not the loop and knot that form the junction of the reins and the romal whip.
Split Reins by Susan Hargrove
Split reins can be held in the right or left hand. The excess rein hang over untouched on the same side of the horse. So if right hand hold the rein then the excess rein lies on the right side of the horse.
If left hand holds the rein then the excess rein lies on the left side of the horse. Split reins
enter the hand via coming straight into the hand over the index finger and they exit by the little finger.
Silver should not be counted over a good working bridle and reins. A western style bridle (browband, one ear, two ear, with or without throatlatch) with a curb bit including a curb strap or curb chain. Standard snaffle bit and bosal hackamores are permitted on horses 4 and under (5 and under for Arabians and Appaloosas). Romal reins and split reins are both legal; Romal reins are usually seen on Arabians, Morgans, and NSH. Missouri Fox Trotters usually wear a noseband.
A Western saddle. Nosebands or cavessons (except: Missouri Fox Trotter and National Spotted Saddlebred/Walking Horse), roping reins, any kind of boots or bandages, crops or whips, mechanical hackamores are also prohibited. Split reins may not be knotted or attached to each other (stickwax is of course permitted in model horses) Rider may not have more than one finger between split reins or any fingers between the reins of a rein and romal.
Attire is jeans, trousers or pants over western boots, long sleeved shirts, (vest, tie and jacket are also permitted) shotgun chaps, belt through loop, and western hat. The doll rider's posture must be addressed because if you can't get it correctly then don't use it. Doll must sit down flat on horse's back. The rider's back should be straight. There should be a straight vertical line between the rider's ear, the elbow and the heel. The knee and toe of the boot should also be in a straight line, knees and feet turned straight along the side of the horse and heel of boot pointed down. The rein arm upper arm should be tucked into the side of the rider, elbow is bent and the forearm parallel to the ground.
The free arm is held free and straight down with palm flat and lightly touching the leg. You may place ONE finger between your split reins and there is no rule as to which one - though most riders place their index finger between. If using romal reins the romal hand is carried with hand holding romal at the length of which the romal is straight and not curved. Hand then rest quietly near or on the doll's leg. Rein hand wrist(s) of either rein is turned slightly inward. The doll rider's head should be looking straight forward as if rider is looking through the horse's ears.
Rein Hand Holds:
Horses are shown on a reasonable loose rein. Extremes
such as too tight or too loose should be penalized.
Rider's Western Bareback Position: